华北水利水电大学学报（社会科学版）

李泽厚美学是20世纪后期处于中国美学主流地位的“实践论美学”的杰出代表。考察李泽厚实践论美学的发展历程,对把握20世纪中国美学的学术进程和构建21世纪中国美学的现代体系,都具有重要的理论意义和实践价值。纵观李泽厚实践论美学的发展历程,可以细分为三个主要阶段:在50、60年代美学大讨论时期,李泽厚实践论美学初步创建;80年代,随着《1844年经济学—哲学手稿》的论争,李泽厚实践论美学不断深化;90年代,在“后实践美学”的批判中,李泽厚实践论美学步入反思期。

LI Ze-hou's aesthetics is outstanding representative of Chinese aesthetics mainstream position on"practical aesthetics" in the later period of 20th century.Inspects the development course of LI Ze-hou's practical aesthetics,has the important theory significance and the practice value to grasps the academic advancement of the 20th century Chinese aesthetics and constructs modern system of the 21st century Chinese aesthetics all.Looks over the LI Ze-hou's practical aesthetics development course,may subdivide three main stages: in the discussion of aesthetics between 1950s and 1960s,the preliminary foundation of LI Ze-hou's practical aesthetics;1980s,along with the debate of "in 1844 Economic Philosophy Draft manuscript",LI Ze-hou's practical aesthetics deepens unceasingly;1990s,in the"post-practical aesthetics" critique,LI Ze-hou's practical aesthetics marches into the reconsidering time.